Guest Post: Characterisation by Carlie M. A. Cullen
Today, we have a guest post by author Carlie M. A. Cullen as part of her blog tour for her debut novel, Heart Search: Lost.
So, as I got to set the topic of this guest post I decided on characterisation, for two reasons. The first is that I believe that good characterisation is vital for any story, and the second was that I had just finished the sixth draft of my book ‘Spirit Of Fire’ and was updating the character maps.
So here’s Carlie’s post on Characterisation:
There’s no easy way of saying it, so I’ll be as blunt as a spoon. It doesn’t matter if your story is character-driven or plot-driven; if you don’t breathe life into your main cast then your story is like a decapitated chicken – dead from the neck up! So how do we make sure our main characters come alive for the reader?
Okay, so here we have our two main characters. Let’s call them Paula and Fred. At the moment they are like cardboard cut-outs. Sure we could add a bit of colour by saying Paula has black hair and hazel eyes, and Fred has ginger hair and blue eyes, we could say they are tall or short, thin or chubby or variations in between. We could go one stage further and include that Paula has a tiny scar above one eyebrow or Fred has a wart on the tip of his nose; it’s a start – it gives the reader a little something to picture – but is it really breathing life into them? The simple answer is, no.
We need to give them personalities, emotions, hopes and dreams, in short we need to make them realistic and relatable.
You need to spend some time getting to know Paula and Fred; find out what makes them happy or sad, angry or soft and gooey, what their aspirations are, whether they are essentially good or bad and what makes them tick. Once you’ve gone through this process of building a personality profile for them you then need to make that personality come alive.
The most effective ways are through dialogue and through showing their emotions.
So if you were writing a scene where Paula was angry about something Fred had done and she was giving him a serious tongue-lashing, the worst thing you can do is just pen the obvious drivel some writers call dialogue. Put yourself in Paula’s shoes and make the dialogue realistic to fit the scene. It’s okay for Paula to stutter in her anger and call him names. It’s fine for her to get her words a bit mixed up in the heat of the moment. Isn’t that what happens in real life? Now think of how Fred might defend himself (if he does at all – that’s your call. He might be the type of guy who holds his hands up, admits he’s dropped the ball and wants to make things better) and make his dialogue as realistic as hers.
Now we’re getting somewhere. But what is the magic ingredient? Showing!
Think about the expressions on their faces and describe them. No you don’t have to go to the nth degree, but a phrase like ‘her flashing eyes narrowed and her voice was laden with venom’ paints a very strong picture for the reader to get hold of. Now think about body language or gestures they might be using. ‘Fred held his hands up as if to ward off her words, taking a step away from her’- again this allows the reader to form an image of what is occurring in the scene. Using small phrases to show how your character is feeling and reacting to a given situation makes them much stronger, which culminates in a story which is now much more interesting than two-day old dishwater.
The vast majority of readers want to connect with the characters in your story, they want to feel their emotions, be able to picture the scene and see how each person is behaving, some even want to imagine themselves as either Paula or Fred. But they can only achieve this if you bring those cardboard cut-outs to life.
A quick tip to help you with characterisation is to people watch (and no I don’t mean for you to stare at people until you get a punch on the nose or a visit from someone wearing a uniform and carrying a badge). Take snippets from what you see and hear around you. When you’re out shopping or at the movies or wherever, watch how people relate to each other and listen to extracts of their discussions. Make mental notes or even better, carry a notepad around with you and if you see or hear something you think you could use, jot it down.
All your characters need to be given life; they need hearts and minds to make them relatable and speech to make them realistic.
Thanks Carlie!
More about Carlie….
Carlie M A Cullen was born in London. She grew up in Hertfordshire where she first discovered her love of books and writing. She has been an administrator and marketer all her working life and is also a professional teacher of Ballroom and Latin American dancing.
Carlie has always written in some form or another, but Heart Search: Lost is her first novel. This is being launched 8th October 2012 through Myrddin Publishing Group and work has started on book two: Heart Search: Found. She writes mainly in the Fantasy/Paranormal Romance genres for YA, New Adult and Adult.
Carlie is also a professional editor.
Carlie also holds the reins of a writing group called Writebulb. Their first anthology was published September 2012.
Carlie currently lives in Essex, UK with her daughter.
Buy Heart Search: Lost on Amazon (US) and Amazon (UK) and don’t forget to enter the giveaway for Heart Search: Lost below.
Absolutely right. A writer not only reads but loves to read and knows about books and autrhos. I don’t mean they have to study Eng Lit but be interested in what’s selling, what isn’t and what’s around.Whenever I run a fiction writing workshop, one of the first questions I ask is what novel are you reading at the moment?’You’d be surprised how many people say, I’m too busy writing my novel to read anything else’ or I’m worried I’ll end up writing like the book I’m reading.’ (You won’t.)And it comes as no surprise that those who show the most talent are those who read the most and with the most pleasure.